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1912-1921
Dedication Ceremony
On a chilly spring day, hundreds gathered under a large
tent erected on the Temple site for the dedication ceremony.
‘Abdu’l-Bahá
stood in the center of the crowd and greeted them
with these words:
The
power which has gathered you here today notwithstanding
the cold and windy weather is, indeed, mighty and
wonderful. It is the power of God, the divine favor
of Bahá'u'lláh which has drawn you together.
We praise God that through His constraining love human
souls are assembled and associated in this way.
Thousands of Mashriqu'l-Adhkárs,
dawning points of praise and mention of God for all
religionists will be built in the East and in the
West, but this, being the first one erected in the
Occident, has great importance. In the future there
will be many here and elsewhere – in Asia, Europe,
even in Africa, New Zealand and Australia –
but this edifice in Chicago is of especial significance.
After His address, ‘Abdul’-Bahá and
his listeners left the tent. ‘Abdu’l-Bahá
asked that Nettie Tobin’s
stone be placed at the center of the land. He was offered
a golden trowel with which to carve out a resting place
for the stone, but it was unable to dig through the
turf. A young man ran to a nearby house and borrowed
an ax, which ‘Abdu’l-Bahá used to
cut into the earth. Another young man produced a shovel
borrowed from a work crew about four blocks away. ‘Abdu’l-Bahá
asked a Bahá'í woman named Lua Getsinger
to turn the earth, followed by Corinne
True. He then invited people of many races and nationalities
to participate. When a large hole had been dug, ‘Abdu’l-Bahá
gathered handfuls of dirt, which He gave to several
people. Then He placed the stone in its spot, used the
golden trowel to push the soil around it, and declared,
“The Temple is already built.”
Sacrifices for the Fund
From 1912 through 1920, the Bahá'ís focused
on raising money to complete payments on the property
and acquire a fund adequate to begin construction.
‘Abdu’l-Bahá encouraged the Bahá'ís
of the East to contribute. These gifts were often very
small, perhaps a few pennies earned through the sale
of a handkerchief or other small item. A Persian widow
who supported her two children by knitting socks sent
the profit from one sock of each pair to the Temple
Fund. Larger contributions came from Bahá'ís
who owned successful businesses in Bombay, India.
In August 1917, with the goal of a $200,000 construction
fund less than halfway achieved, the Executive Board
of the Bahá'í Temple Unity offered a sacrificial
example:
With
unchanging faith in the divine resolve of the American
friends to make good their compact the members of
the Executive Board here assembled . . . pledge one-ninth
of all their possessions as of this date to the redemption
of a portion of the balance yet remaining due.
Contributions
from the Bahá'í community included stocks,
liberty bonds, jewelry, and a $14,000 inheritance. An
Ohio woman sent a twenty-five-cent piece on behalf of
her late mother, who had been prevented by her husband
from contributing during her lifetime. A successful
musician arranged concerts for the fund and sent $1000
as a “war offering toward our Bahai Temple of
Peace.”
When an American Bahá'í woman cut her
hair and sold it for the Temple Fund, ‘Abdu’l-Bahá
wrote:
Consider
ye, that though in the eyes of women nothing is more
precious than rich and flowing locks, yet notwithstanding
this, that highly-honored lady hath evinced so rare
and beautiful a spirit of self-sacrifice.
And though this was uncalled for, and ‘Abdu’l-Bahá
would not have consented to such a deed, yet as it
doth reveal so high and noble a spirit of devotion,
He was deeply touched thereby. Precious though the
hair be in the sight of western women, nay, more precious
than life itself, yet she offered it up as a sacrifice
for the cause of the Mashriqu’l-Adhkár!
Louis
Bourgeois
Louis Bourgeois’ quest to design the Bahá'í
House of Worship was a long and arduous one. He reported
feeling inspired to build a Temple even before he became
a Bahá'í in about 1906:
I had a strong psychic feeling that the Christ spirit
was astir in the world and that I should design the
temple for this spirit. I had been something of an
amateur astronomer and had thought with wonder of
the beautiful spiral curves which the heavenly bodies
trace in the sky as they circle the sun in their elliptical
orbits that cut each other in different planes and
that move forward as the whole solar system moves.
I was standing by the seaside, and, as an inspiration
made me see how these pure mathematical lines of astronomy
could be worked into designs of wonderful beauty,
I traced in the sand of the seashore such figures
as I have wrought into the dome of that temple...”
After Mr. Bourgeois’ design was selected, stories
about the Temple were published in newspapers around
the country and abroad. In one interview, he explained
the philosophy underlying his work:
All the teachings that have held the minds of men
and ennobled them are found to be very much alike
in essence. The doctrines of Christ, of Buddha and
of Mohammed greatly resemble each other. As with religions
so it is with architecture. If you resolve the different
architectural systems to their idealistic basis, laying
aside all extreme forms, you will see that they harmonize
so perfectly that they can be blended without one
discordant note. That is what I have tried to do in
the Temple of Peaceto combine all architectural modes
into a symbol of the Bahai Movement.
In 1921, Mr. Bourgeois prepared large, full-scale drawings
of the Temple ornamentation. The largest drawing, showing
the great ribs of the dome, was 90 feet long. John
Earley, who would later translate the drawings into
concrete panels, described the architect’s unique
method:
. . . Mr. Bourgeois stretched out on the floor a great
sheet of paper and with his pencil tied to the end
of a long stick he drew in great sweeps, in a manner
never to be forgotten, the interlacing ornament of
the dome. One line through another, under and over,
onward and upward until the motif was completed. Never
have I seen a greater feat of draftsmanship nor a
more interesting draftsman than Mr. Bourgeois. Most
surprising of all perhaps is the approximation to
accuracy which he maintained in these drawings in
spite of the disadvantages under which he worked.
He was obliged to stand on the drawing which he was
making and his only view of the whole was from the
top of a step ladder.
Mr. Bourgeois constructed a studio and living quarters
across the street from the Temple site at his own expense.
He worked and lived there with his wife for the next
several years. Though his health began to fail, he determinedly
continued working on the Temple. On August 20, 1930,
long before his great work was completed, he died at
the age of 74. Memorial services were held in Foundation
Hall and in other Bahá'í communities throughout
North America. His studio home at 536 Sheridan Road
later became the headquarters of the National Spiritual
Assembly.
Shoghi
Effendi
Shoghi Effendi, the grandson of ‘Abdu’l-Bahá,
was born in 1897 and raised in ‘Abdu’l-Bahá’s
home in ‘Akká and later in Haifa, Israel.
He was devoted to his Grandfather and eager to assist
Him in serving the Bahá'í Faith. While
attending Oxford University, the distressing news of
his beloved Grandfather’s death reached him. Shortly
afterwards, he learned that he had been named the head
of the Bahá'í Faith in ‘Abdu’l-Bahá’s
Will and Testament.
Only twenty-four years old, Shoghi Effendi was devastated
by the loss and overwhelmed by his immense responsibilities.
However, after a period of mourning, he energetically
embraced his new role. His life’s work included
translating many of Bahá’u’lláh’s
Writings into English, writing a definitive history
of the first century of the Bahá'í Faith,
assisting Bahá'í communities around the
world in the formation of administrative bodies, developing
plans for the growth of the Bahá'í Faith,
and initiating the establishment of the Bahá'í
World Center on Mount Carmel in Haifa, Israel.
Shoghi Effendi unfailingly encouraged the American Bahá'ís
in their mission to build the Temple. In one of his
early letters to the American Bahá'ís,
he wrote:
Concerning the Mashriqu'l-Adhkár,
I shall always recall with pride and gratitude the
self-sacrifice of the American friends. . . . I would
feel indeed disheartened were the friends to think
for a moment, that its work should fall into abeyance,
nay, rather they should do all in their power (and
I trust their fellow-brethren and sisters throughout
the East may share in their stupendous efforts) to
provide for the steady and uninterrupted progress
of the work, until the day may come when this sublime
Edifice, raised in its majestic splendor in the very
heart of the continent, may be yet another evidence
of the triumph and vitality of the Cause.
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